{"id":5874,"date":"2018-05-07T19:53:07","date_gmt":"2018-05-07T17:53:07","guid":{"rendered":"http:\/\/www.riccardomuti.com\/?p=5874"},"modified":"2021-06-01T08:41:05","modified_gmt":"2021-06-01T06:41:05","slug":"muti-australian-world-orchestra-press-release","status":"publish","type":"post","link":"https:\/\/www.riccardomuti.com\/en\/2018\/05\/07\/muti-australian-world-orchestra-press-release\/","title":{"rendered":"Muti-Australian World Orchestra\/Press Release"},"content":{"rendered":"<header class=\"_2-5AL\" data-reactid=\"372\">\n<div class=\"JwYux\" data-reactid=\"373\">\n<h2 class=\"p1\">AWO review: Gathering the harvest but also sowing the seeds<\/h2>\n<\/div>\n<\/header>\n<aside class=\"_1ki1P\" data-reactid=\"381\">\n<section class=\"_3eMES _3dQun\" data-reactid=\"382\">\n<div class=\"_1mseD\" data-reactid=\"383\">\n<p data-reactid=\"403\">&#8220;Music brings people together,&#8221; conductor Riccardo Muti noted in a short platform speech before the encore.<\/p>\n<p data-reactid=\"411\">To be more specific, it had brought, that evening, just as it had for the past seven years, a diaspora of Australian expat musicians drawn from about 35 orchestras, in Europe, the UK, the US, Asia and Australia as the Australian World Orchestra, a kind of music camp for adults, or, as Simone Young put it, &#8220;the Australian Youth Orchestra with wrinkles&#8221;.<\/p>\n<figure class=\"_3ujPS _3g3zI\" data-reactid=\"413\"><a data-reactid=\"414\"><picture class=\"_1lwW_\" data-reactid=\"415\"><source srcset=\"https:\/\/static.ffx.io\/images\/$width_780%2C$height_439\/t_crop_fill\/t_sharpen%2Cq_auto%2Cf_auto\/bf556d1f19bba289ea9cad681a2b66d5d66e9810\" media=\"(min-width: 1024px)\" data-reactid=\"416\" \/><source srcset=\"https:\/\/static.ffx.io\/images\/$width_960%2C$height_540\/t_crop_fill\/t_sharpen%2Cq_auto%2Cf_auto\/bf556d1f19bba289ea9cad681a2b66d5d66e9810\" media=\"(min-width: 768px)\" data-reactid=\"417\" \/><\/picture><\/a><\/figure>\n<section class=\"_1ysFk\" data-reactid=\"400\">\n<div class=\"_1665V undefined\" data-reactid=\"402\">\n<p data-reactid=\"425\" data-gtm-vis-first-on-screen-6236702_632=\"17628\" data-gtm-vis-total-visible-time-6236702_632=\"2800\">The project is not just about gathering the harvest but also sowing the seeds. Those who have made it also work with those young people who will make it through a series of master classes, outreach programs and the AWO Academy. It is a venture that has captured the imagination of the world&#8217;s leading conductors and this year was a chance to welcome back Riccardo Muti, who last graced the Opera House podium in the Olympic Arts Festival in 2000.<\/p>\n<p data-reactid=\"427\">Muti&#8217;s approach to Brahms&#8217; Symphony No.2 in D major, Opus 73, eschewed ephemeral accents, agitations and transitory moments of excitement in favour of a magisterial unfolding of the work&#8217;s essence and architecture. The opening of the first movement was an awakening through smooth, undisturbed quiet, leading to a finely phrased second theme. The pace disciplined but supremely unhurried, allowing the freshness of Brahms&#8217; orchestral combinations to emerge with discreet, almost underplayed refinement. The slow movement was also drawn out, perhaps overly, leaving it to the third movement to discover moments of quicksilver lightness and gracefully shaped subtly, before the finale opened out to the full blaze of the day.<\/p>\n<p data-reactid=\"429\">A particular highlight was the budding richness of Ben Jacks&#8217; horn solo (SSO) at the start and in the first movement&#8217;s coda. More broadly, the orchestral sound was notable for fine balance, rich unanimity of strings led by Natalie Chee (SWR Symphony Orchestra Stuttgart), understated refinement in the wind and blended wholeness in the brass.<\/p>\n<\/div>\n<\/section>\n<div class=\"_1FVfK\" data-reactid=\"431\">\n<div class=\"adWrapper _2UMq- _1UZJl ad\" data-reactid=\"432\">\n<p data-reactid=\"440\">In Tchaikovsky&#8217;s Symphony No.4 in F minor, classical reserve was put aside to allow the phrases to fret, surge, and blaze with a finely assertive edge to the trumpets in the fateful opening motive. The openly romantic expressiveness from the strings (led by Daniel Dodds, Lucerne Festival Strings) of the first movement never clouded clarity of idea.<\/p>\n<p data-reactid=\"442\">Oboist Nick Deutsch (ANAM) played the second movement solo with meticulous care and characterful colour, while the pizzicato third movement created glimmering delight in its hushed breathlessness. The unbridled pace of the finale provided a chance for the orchestra to display impressive unanimity and incendiary intensity at the close.<\/p>\n<p data-reactid=\"444\" data-gtm-vis-first-on-screen-6236702_632=\"18628\" data-gtm-vis-total-visible-time-6236702_632=\"4000\" data-gtm-vis-has-fired-6236702_632=\"1\">The encore, the Overture to Verdi&#8217;s Nabucco, with its great hymn of Italian unification, <em data-reactid=\"446\">Va Pensiero<\/em>, also recalled Italy&#8217;s ongoing gift to Australian culture, through migration, kinship of spirit and through music.<\/p>\n<p style=\"text-align: right;\" data-reactid=\"444\" data-gtm-vis-first-on-screen-6236702_632=\"18628\" data-gtm-vis-total-visible-time-6236702_632=\"4000\" data-gtm-vis-has-fired-6236702_632=\"1\"><em>The Sydney Morning Herald<\/em>, Peter McCallum, May 3, 2018<\/p>\n<p data-reactid=\"444\" data-gtm-vis-first-on-screen-6236702_632=\"18628\" data-gtm-vis-total-visible-time-6236702_632=\"4000\" data-gtm-vis-has-fired-6236702_632=\"1\">\n<\/div>\n<p><a href=\"http:\/\/www.riccardomuti.com\/wp-content\/uploads\/DSC1703.jpg\"><img decoding=\"async\" class=\"size-full wp-image-5882\" src=\"http:\/\/www.riccardomuti.com\/wp-content\/uploads\/DSC1703.jpg\" alt=\"\" width=\"750\" height=\"500\" srcset=\"https:\/\/www.riccardomuti.com\/wp-content\/uploads\/DSC1703-200x133.jpg 200w, https:\/\/www.riccardomuti.com\/wp-content\/uploads\/DSC1703-300x200.jpg 300w, https:\/\/www.riccardomuti.com\/wp-content\/uploads\/DSC1703-400x267.jpg 400w, https:\/\/www.riccardomuti.com\/wp-content\/uploads\/DSC1703-600x400.jpg 600w, https:\/\/www.riccardomuti.com\/wp-content\/uploads\/DSC1703.jpg 750w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><\/a><\/p>\n<h2><\/h2>\n<h2>RICCARDO MUTI (AUSTRALIAN WORLD ORCHESTRA): An exhilarating concert and an eloquent reassurance of the eminent place of Australian musicians in the world.<\/h2>\n<p>Riccardo Muti has been cutting a (very elegant) swathe through concert halls and opera houses from Milan to Philadelphia for 40 years. The prospect of seeing and hearing him conduct a reunion of what must be the musical world\u2019s greatest diaspora of talent certainly created a frisson. The program, on paper at least, seemed unambitiously mainstream: Brahms\u2019 Second and Tchaikovsky\u2019s Fourth symphonies. However, on closer inspection, it yielded far more interest. Both works could be called Romantic, both were composed virtually contemporaneously by composers who were also near contemporaries. Yet Brahms and Tchaikovsky were both, emotionally and idiomatically, polarities.<\/p>\n<p>Muti was a Young Turk, who succeeded Klemperer as Chief Conductor of London\u2019s legendary Philharmonia Orchestra. He was renowned for rhythmic precision, Italianate intensity and whiplash attack, among other qualities. Only a musician of Muti\u2019s stature could meld almost 100 musicians who normally perform in a wide range of music ensembles with varying stylistic requirements into not only a viable, but virtuosic, whole. It was fascinating to experience his reading of the opening movement of the Brahms: in what must surely be his sunniest symphonic movement (pace Sir Simon Rattle\u2019s bizarre attempt to say otherwise during an interview preceding a 2016 London Proms performance with his Berlin Philharmonic) Muti gave one of the most leisurely performances I\u2019ve ever heard. It was languorous and luxuriant but never indulgent or sluggish. No one can \u2018hide\u2019 in this music and every section acquitted themselves nobly. Significantly, Muti included the exposition repeat, which, like its equivalent in Schubert\u2019s last Piano Sonata, D.960, recalibrates the entire movement and at this tempo, makes it as long as the three subsequent movements combined. Once you\u2019ve heard the repeat in a performance of this calibre, any performance without it sounds truncated. The only trace of melancholia comes in the Symphony\u2019s slow movement where the cellos and bassoons and syncopated woodwind in general distinguished themselves. In the third movement, the pastoral oboe contributed gorgeous pinpricks of sound. The ebullient proceedings of the final movement were a joy to hear as the entire orchestra sang in a final triumph.<\/p>\n<p>In the late 70s and early 80s, Muti produced a Tchaikovsky cycle with the Philharmonia, which, 40 years later, is still highly regarded. This occasion demonstrated he\u2019s lost none of his energy or panache. What he displayed was a masterful command of musical pulse: how to establish and vary it, in the often neurasthenic convulsions, conflict and spiritual turmoil of the difficult first movement. The opening trumpet \u201cmotto\u201d theme was played curiously legato but with brazen insistence (as it was whenever it recurred throughout the work). In the second movement, the oboe solo was especially exquisite. Muti did a huge <em>ritard <\/em>at the end, but it worked. In the <em>pizzicato <\/em>of the third movement, the strings deserve special praise, as do the woodwind and brass in their piquant interjections. The manic gaiety of the \u201cRussian dance\u201d final movement brought great energy and drama, while, all the time, not managing to dispel the image of the \u201cSword of Damocles\u201d hanging over the composer.<\/p>\n<p>This was one of the most exhilarating concerts I\u2019ve attended in a long time and another eloquent reassurance of the eminent place of Australian musicians in the world.<\/p>\n<p style=\"text-align: right;\"><em>Limelightmagazine.com.au<\/em>, Greg Keane, May 3, 2018<\/p>\n<div class=\"adWrapper _2UMq- _1UZJl ad\" data-reactid=\"432\">\n<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"vaiallostore\">\n<a href=\"https:\/\/www.riccardomutimusic.com\/en\/\"> Visit the Store <\/a><\/div><style>#toTop{display:none;}.to-top-container{display:none;visibility:hidden}<br \/><\/style>\n<h6><\/h6>\n<h6 class=\"p1\"><span class=\"s1\">In the pictures: Maestro Muti conducting the Australian World Orchestra \u2013 Photo: David Collins<\/span><\/h6>\n<h6 class=\"p1\"><\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/aside>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>AWO review: Gathering the harvest but also sowing the seeds &#8220;Music brings people together,&#8221; conductor Riccardo Muti noted in a short platform speech before the encore. To be more specific,  [&#8230;]<\/p>\n","protected":false},"author":1,"featured_media":5865,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[333,266,332,243],"tags":[394,393,331,330],"class_list":["post-5874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concert","category-concerti-en","category-press","category-stampa-en","tag-394","tag-393","tag-awo-australia-australian-world-orchestra-en","tag-awo-australia-australian-world-orchestra"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Muti-Australian World Orchestra\/Press Release - Riccardo Muti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.riccardomuti.com\/en\/2018\/05\/07\/muti-australian-world-orchestra-press-release\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Muti-Australian World Orchestra\/Press Release - Riccardo Muti\" \/>\n<meta property=\"og:description\" content=\"AWO review: Gathering the harvest but also sowing the seeds &#8220;Music brings people together,&#8221; conductor Riccardo Muti noted in a short platform speech before the encore. 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conductor Riccardo Muti noted in a short platform speech before the encore. 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