{"id":5071,"date":"2017-12-22T20:05:01","date_gmt":"2017-12-22T19:05:01","guid":{"rendered":"http:\/\/www.riccardomuti.com\/?p=5071"},"modified":"2021-06-01T08:41:10","modified_gmt":"2021-06-01T06:41:10","slug":"intervista-cso-soundsstories","status":"publish","type":"post","link":"https:\/\/www.riccardomuti.com\/en\/2017\/12\/22\/intervista-cso-soundsstories\/","title":{"rendered":"Riccardo Muti and New Year&#8217;s Concert"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-overflow:visible;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><h6>Photo from Riccardo Muti&#8217;s autobiography <em><a href=\"https:\/\/www.riccardomutimusic.com\/en\/product\/autobiography\/\"><span style=\"text-decoration: underline;\">First the Music, then the Words<\/span><\/a>.<\/em><\/h6>\n<\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;width:100%;\"><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-text fusion-text-2\"><p><span class=\"track-title\">Riccardo Muti interview with Dennis Polkow 12\/17<\/span> <span class=\"track-divider\">\u2014<\/span> <span class=\"track-description\">As Riccardo Muti prepares to conduct the 2018 annual Vienna New Year&#8217;s Concert that will be heard and seen across more than 90 countries, he discusses the behind-the-scenes process, its cultural milieu and considers the melancholic nostalgia embodied in the Viennese waltz with Chicago journalist Dennis Polkow in an all-new radio broadcast. The interview also includes details about a new asteroid named after Muti, as well as a look back and ahead at CSO tours and repertoire.<\/span><\/p>\n<\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;width:100%;\"><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-text fusion-text-3\"><h5><strong>Listen to the interview:<\/strong><\/h5>\n<\/div><div class=\"fusion-text fusion-text-4\"><audio class=\"wp-audio-shortcode\" id=\"audio-5071-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.riccardomuti.com\/wp-content\/uploads\/Interview_Polkow.mp3?_=1\" \/><a href=\"http:\/\/www.riccardomuti.com\/wp-content\/uploads\/Interview_Polkow.mp3\">http:\/\/www.riccardomuti.com\/wp-content\/uploads\/Interview_Polkow.mp3<\/a><\/audio>\n<\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"margin-left: auto;margin-right: auto;margin-top:40px;width:100%;\"><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-text fusion-text-5\"><h2>Muti aims to evoke \u2018smiles and tears\u2019 in Vienna New Year\u2019s concert<\/h2>\n<p><em>As Chicago Symphony Orchestra Music Director Riccardo Muti prepares to conduct the 2018 annual Vienna New Year\u2019s Concert that will be heard and seen by as many as a billion people across more than 90 countries, he discusses the behind-the-scenes process, its cultural milieu and considers the melancholic nostalgia embodied in the Viennese waltz with Chicago journalist Dennis Polkow in an all-new radio broadcast from which the following interview was taken. The interview also includes details about a new asteroid named after Muti as well as a look back and ahead at CSO tours and repertoire. (Click <a title=\"Visit https:\/\/soundcloud.com\/chicagosymphony\/riccardo-muti-interview-with-dennis-polkow-1217 (click to open in a new window)\" href=\"https:\/\/soundcloud.com\/chicagosymphony\/riccardo-muti-interview-with-dennis-polkow-1217\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a> to hear the full interview.) For the Vienna concert, the local \u00a0air times are Jan. 1 at 8 p.m. CST on WTTW-Channel 11, with repeats on Jan. 2 at 1:30 a.m. and 2 p.m., and on radio, Jan. 1 at 10 a.m. via WFTM-FM (98.7).<\/em><\/p>\n<p>It\u2019s an unseasonably warm November afternoon near the end of Riccardo Muti\u2019s late fall Chicago Symphony Orchestra residency, but the music director is already looking weeks ahead to New Year\u2019s Day: \u201cAs soon as I get home [to Italy], I have to immediately spend an entire day doing parts,\u201d says Muti. \u201cWhere I want there to be repeats, where not, for two hours of music. There are so many details to doing a Vienna New Year\u2019s concert that the public never knows.\u201d<\/p>\n<p>Muti ought to know. He has done four New Year\u2019s concerts with the Vienna Philharmonic Orchestra, the first back in 1993. \u201cWe have a long partnership,\u201d says Muti, \u201c47 years together: longer than any other orchestra I have worked with.\u201d That lasting relationship began in 1971 at the Salzburg Festival at the invitation of Herbert von Karajan, then the festival\u2019s artistic director.<\/p>\n<p>In those years, concertmaster Willi Boskovsky led the annual VPO New Year\u2019s concerts, which he did from 1955 until 1979; as general manager and principal conductor of the Vienna State Opera, Lorin Maazel took over from 1980 through 1986, after which a new system emerged where celebrated conductors were brought in annually, beginning with Karajan in 1987.<\/p>\n<p>\u201cWhen I was first asked to do the New Year\u2019s concert,\u201d Muti recalls, \u201cfor several weeks I said \u2018no\u2019 and refused to accept because I thought this concert should be conducted by conductors who have the music of the Strauss family or Lanner or Supp\u00e9 in their blood. I asked, \u2018Why should a Neapolitan be on the podium in the Musikverein on the first of January? I am from Napoli, I am not from Vienna.\u2019<\/p>\n<p>\u201cThey reminded me that Napoli and Vienna were very much connected culturally, that the Neapolitan school and Viennese school were two very important capitals in the world of music at that time. They also brought up the fact that the Queen of Napoli was Maria Carolina, the daughter of Maria Teresa. So they found all sorts of connections.<\/p>\n<p>\u201cThe president of the Vienna Philharmonic said to me, \u2018You have just recorded all of the Schubert symphonies with us, and from the way you conduct Schubert, which is the typical Viennese composer, that is the direct path, the door, to Johann Strauss. We musicians of the Vienna Philharmonic feel that you are the right person to do this music.\u2019 \u201d<\/p>\n<p>That first Muti-led New Year\u2019s concert was such a success that he was offered a second in 1997, and again for 2000, the millennial year, \u201ca great honor,\u201d Muti concedes. \u201cEverybody wanted to do that concert. That was very special not only because of the new millennium, but because for the first time, China was directly connected, so suddenly the number of people who saw the concert was more than 1 billion around the world.<\/p>\n<p>\u201cAfter 2000, I said, \u2018That\u2019s it,\u2019 because all the other concerts seemed less important. But then I accepted in 2004 because they wanted me to do it, but then I stopped. People maybe don\u2019t realize that the New Year\u2019s concert is very demanding, very heavy and tiring for the preparation because you have to learn a lot of music. Despite what people can think, listening to the beautiful melodies of Strauss, it\u2019s not easy music to conduct properly. So after 2004, I said, \u2018Basta, that\u2019s it. No more.\u2019 And in fact, I didn\u2019t do any more. But this time, again they came asking, \u2018Please, Maestro, do it once more, because it\u2019s been a long time since you have done it.\u2019 So finally, I accepted last year to do this concert.<\/p>\n<p>\u201cWhen you have a busy schedule like I have with opera, concerts, recordings, music directorship of a major orchestra like the Chicago Symphony, you don\u2019t have so much time free to study. You have to study new scores for contemporary music, modern music, old music that is new for you, so time free to study for a long program \u2014 because it\u2019s two hours of music \u2014 requires a lot of energy and sacrifice. Every time you have one hour or two hours free, even if you have been busy during the day, you have find time to study, to be prepared when the end of December arrives. Then you have to go to Vienna, you arrive the 27th, then you have the rehearsal on the 28th\u00a0and then the 29th.<\/p>\n<p>\u201cDec. 30th\u00a0is the first concert that is a sort of a general rehearsal, then the 31st\u00a0is a concert in the evening, with television, so they practically film the entire program just like the first of January. The concert ends at 10 o\u2019clock in the evening, then you have two hours for the end of the year. Maybe you want to celebrate a little bit: you cannot drink too much, just a glass of champagne, possibly of good quality, and then you go to bed after midnight at 1 o\u2019clock. And the next morning at 8 o\u2019clock, you have to be ready and in good health, in good spirits, in good energy, because at 11 o\u2019clock sharp, the concert starts.\u201d<\/p>\n<p>There will be two nods to Muti\u2019s Italian heritage in the 2018 New Year\u2019s Concert: Johann Strauss\u2019\u00a0<em>William Tell <\/em>Galopp and Johann Strauss Jr.\u2019s <em>Un ballo in maschera<\/em> Quadrille, which Muti describes as \u201cparodies of Rossini and Verdi, but done with great respect,\u201d along with the signature waltzes long associated with these concerts.<\/p>\n<p>\u201cI can conduct a waltz, but I cannot dance a waltz,\u201d Muti admits. \u201cSometime many years ago, my wife tried to convince me to, but then I was dancing on her feet, so she said, \u2018That\u2019s enough,\u2019 and we stopped. But I find it very natural to conduct the waltz, but as pure music. The waltz is always in three: one, two, three; one, two, three. But the Viennese joke that the Viennese waltz is: one, two and maybe three; one, two and maybe three! There is a sort of hesitation or rubato that is not easy. You can try to imitate, but then it becomes a caricature of what for the Viennese is so, so natural. I\u2019m sure I don\u2019t have any Viennese blood, but on the other hand, as the Viennese used to say, \u2018Who is a Viennese?\u2019 A Viennese is a combination of Italian, Austrian, German, Czech, Hungarian, the former Yugoslavia, it is the combination, a melting pot of central Europe.<\/p>\n<p>\u201cWhat is important when you do the Viennese waltz is that you must feel that it is a combination of life and death. We must not forget that this music has a nostalgia, a melancholy, that comes from the period, that we are near the end of an empire. Not only do you feel this in the music of Bruckner, but the music of Mahler, and before that, in the music of the Strauss family: that something is about to disappear. And so it\u2019s a combination of life and death, of smiles and tears together. That is the most difficult part of this kind of waltz. They are not full of joy. Maybe this is one of the reasons why on the first of January, this music enters into the homes of every county in the world and fits perfectly with the atmosphere of the New Year because there is a hope for the future that is coming, and yet a nostalgia for the past that is gone.\u201d<\/p>\n<p><em>Award-winning veteran journalist, critic, author, broadcaster and educator <strong>Dennis Polkow<\/strong> has been covering the CSO across various national and international media for more than 30 years and Riccardo Muti since his arrival as CSO music director in 2010. His Con Brio \u201cwith spirit\u201d column in Newcity Chicago highlights multi-genre aesthetic sensitivity.<\/em><\/p>\n<\/div><div class=\"fusion-text fusion-text-6\"><div class=\"vaiallostore\">\n<a href=\"https:\/\/www.riccardomutimusic.com\/en\/\"> Visit the Store <\/a><\/div><style>#toTop{display:none;}.to-top-container{display:none;visibility:hidden}<br \/><\/style>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":5056,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[281,267,278,243],"tags":[399,279],"class_list":["post-5071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerto-di-capodanno-en","category-cso-en","category-new-year-concert","category-stampa-en","tag-399","tag-njk-new-year-concert-wien-vienna"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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